The pentatonic scale consists of 5 notes, and is popularly known as Penta. It’s widely used in rock and blues, and produces a very cool sounding providing different patterns of the larger natural scale.
This is a scale preferred by blues, rock and metal musicians. In it we can also have a note of sixth, in degree b5, also called blue note, thus forming a typical scale of the blues.
Based on the larger scale that has intervals of (Tone Tone halftone Tone Tone Tone Tone halftone), eliminating the IVº and VIIº degrees and obtain the larger pentatonic.
– Going down one region and climbing the other, understands an interesting sound;
– Play the scale going down and up with alternating picking, then do as scales using on, hammer on and pull;
– Play as scales with the aid of a harmony being of a reproduction or a song in the tone of “G”.
Reversing as notes of this same pentatonic scale larger Scales other four pentatonic scales. Thus, a larger p-scale of C starting at note A will form the smaller p-scale of A.
On guitar or guitar we can easily memorize the 5 patterns or shapes formed by each inversion of the pentatonic scale and use them for improvisation:
In the blues it is common to use the smaller pentatonic to improvise over a larger main current. For example, we can improvise with a minor penta from There (A) in the A7 (major) chord.
The most effective way for studies are drawing and typing one and one on foot, always accompanied by a rhythmic marking. Ideally, start with a speed of around 70 or 80 BPM (beats per minute) and accelerate progressively.
This kind of intervals are know as pentatonic scales, in music, to the set of all the scales formed by five notes or tons. As harder they are as smaller and larger pentatonic, which can be heard in musical styles such as blues, rock and popular music. Many musicians call it simply penta.
Knowing how scales you can apply all in all as scales and so improvise.
An improvisation is much more than that, but, many spend fife with a pentatonic, it is easy to apply and it really works. You can use a metronome or some kind of electronic drums.
On a smaller scale, you are the 1st, 3rd, 4th, 5th, and 7th of the smaller scale. Thus, you can use pentatonic mode on a smaller scale.
Okay, now it’s practice and play, repeat until your fingers understand the path you can make over a song using these notes. That seems a difference.
It is said that it originated in China, by some musician who met as melodic divisions proposed by Pythagoras, who discovered that if a string generated a “x” note and was divided in half, it would generate a same note, another octave above or divided in 3 generating another harmonic interval and so on. It was the beginning of harmony in music.
The pentatonic scale organized as divisions into three proposals by Pythagoras, was generated in six distinct intervals: si, do, re, mi, sol, la. The proximity of the note and a note of the great age, when played together, generated a “dissonance.” For this reason a note and scale was withdrawn, a scale of 5 tons being formed.
The larger, more used pentatonic scale is that derived from the larger (or Ionic, Ionic) scale when we take the 4th and 7th grades.
Example of a larger pentatonic scale in C (C):
C D E G A (or Dó Ré Mi Sol La), repaired as in notes F (F) and B (Si) of the natural major scale were suppressed
T 2 3 + 5 6 degrees of scale
Note: any 5-note scale with a longer duration has been considered as a larger pentatonic, but this is a more common form.